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< LA RECEPTION EN ABSENCE DE
2005 Installation
Latex and Steel
Each body-tunique 10ft high x 3ft wide
 Robe tablier, 2003 Mignonnette 3, series of 7, 2003
27 x 60 inches 21 x 56 inches
Transmounted scanned latex dresses
 LA PEAU DE MME IVES (mère) 1, 2 - 2003
Series of 4
Transmounted scanned latex dresses
23 x 48 inches
 GAS MASK, 2001
Watercolour on paper
4 x 2.25 in. on 8.5 x 11 in. paper
 DIRTY LIPS 2 (gauche), 2001
Watercolour on paper
2.5 x 2 in. on 10.25 x 7.25 in. paper
 BLUE BABY BLEU, 2002
Watercolour on paper
Drawing: 2.75 x 1.25 in. on 8.5 x 11 in. paper
 ETRE ROUGE, 2003
Watercolour on paper
Drawing: 3 x 1.25 in. on 8.5 x 11 in. paper
 ETRE JAUNE, 2003
Watercolour on paper
Drawing: 3.5 x 1.5 in. on 8.5 x 11 in. paper
 11 SEPTEMBRE 1, 2, 3 - 2001
Watercolour on paper
Drawing: 3.25 x 2 in. on 8.5 x 11 in. paper
 MARCHE 1, 2, 3 - 2002
Watercolour on paper
Each drawing: from 1/2 in. to 2.5 in. on 8.5 x 11 in. paper
 CHIEN & TROIS HOMMES, 2002
Watercolour on paper
Drawing: 1.75 x 1.75 in. on 8.5 x 11 in. paper
LA RECEPTION EN ABSENCE DE
2005 Installation
Latex and Steel
Each body-tunique 10ft high x 3ft wide
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Liquid latex through oxygenation, unlike
neoprene rubber, ages with time.The works made between 2003 and 2007 were not made, nor meant to last.
Over a period of years they stretched,
became brittle and hardened to the point of
falling apart.
The MIGNONNETTE and MME IVES series of
scans were made as memories, witnesses
to sculptures that in time were meant to
disappear.
Drawings from 1988 onward, are watercolour, pencil, ink or gouache on paper.
Figures and gestures range from half an inch to over 5 feet. Floating, paired and clustered into families that are at times different and at times similar – Conversations and reflections about body and the
suggestion of body – impart and in part.
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